Emptiness is the central doctrine of Buddhism. The teaching of emptiness is the first principle of Buddhist cosmology; not just for some schools of Buddhism, but for all of them.
Her most recent book, Empire of Emptiness: Her current research focuses on Buddhist painting and photographic portraiture in early 20th-century China and Inner Asia.
He is currently working on completing Think Buddha, Say Buddha: After working for three years as a researcher with the International Dunhuang Project at the British Library, he taught at Yale University before moving to Berkeley.
He works on Nyingma religious history, tantric ritual, early Tibetan paleography, and the Dunhuang manuscripts.
He is the author of The Taming of the Demons: He is currently working on a study of tantric ritual in the Dunhuang manuscripts. Robert Goldman Robert P. His areas of scholarly interest include Sanskrit literature and literary theory, Indian Epic Studies, and psychoanalytically oriented cultural studies.
He has published widely in these areas, authoring several books and dozens of scholarly articles. He is perhaps best known for his work as the director, general editor, and a principal translator of a massive and fully annotated translation of the critical edition of the Valmiki Ramayana.
His work has been recognized by several awards and fellowships including election as a Fellow of the American Academy of Arts and Sciences. Padmanabh Jaini Padmanabh S.
He is the author of numerous monographs and articles on both Buddhism and Jainism. His collected essays have appeared in two volumes, and, recently, he has been honored by a Festschrift with contributions on early Buddhism and Jainism.
Lewis Lancaster Lewis R. He taught at the University of California, Berkeley, for 33 years, with five years as Chair. By means of a grant from the National Geographic Society, he and a group of students and faculty inventoried texts in monasteries among the Sherpa people in the Himalayas.
He then began to research the problems of converting Buddhist texts from Pali and Chinese into computer format, which resulted in major CD ROM databases.
That computer experience then led him to form an association of scholars called the Electronic Cultural Atlas Initiative, which is housed on the Berkeley campus and has a thousand affiliates worldwide. He is now President at Hsilai University in Rosemead. Levine received his B. He has written and lectured on the art and architecture of the Japanese Zen Buddhist monastery Daitokuji, the modern construct of "Zen Art," cultures of exhibition and viewing in premodern and modern Japan, calligraphy connoisseurship and forgery, and the modern collecting and study of "Buddhist art.
Reconsidering Zen Art in the West," Awakenings: The Visual Cultures of a Zen Monastery. His current research focuses on fragments of Buddhist images within devotional and modern contexts in Asia and the West.
He is also at work on a book, A Long Strange Journey: He has taught graduate seminars on topics such as Daitokuji; Kan'ei-era visual culture; problems of portraiture in Japan; shohekiga; art forgery; iconoclasm; and fragments in art history.
He currently advises doctoral dissertations on topics including the Material and Visual Cultures of Sen no Rikyu; Visual Cultures of the Buddhist convent Hokyoji; and the Gutai collective. She received her B.He is co-editor of Crossing the Sea: Essays on East Asian Art in Honor of Yoshiaki Shimizu () and of the forthcoming Re-presenting Emptiness: Essays on Zen and Art (both P.Y.
and Kinmay W. Tang Center for East Asian Art and Princeton University Press). “Re-presenting Emptiness By offering new possibilities for understanding the formal and representational uses of these objects, the “Zen” of “Zen art” can be removed from the realm of the inscrutable and understood in the context of multiple social realities and historical conditions.
He is co-editor of Crossing the Sea: Essays on East Asian Art in Honor of Yoshiaki Shimizu () and of the forthcoming Re-presenting Emptiness: Essays on Zen and Art (both P.Y. and Kinmay W. Tang Center for East Asian Art and Princeton University Press).
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